This lesson is about thinking of minor modes while improvising over altered dominant chord. If you are interested in jazz theory you might find this one useful.

Dorian, Lydian Dominant, Superlocrian and Diminished in a modern fusion solo!

This is the fourth and last lesson of the series that show how many different scales can we play over a dominant chord.

The Lydian Dominant scale is a great way to sound a bit different on a Dominant 7th chord. These licks should get you started on this great scale!

Outside phrases using the Phrygian dominant scale for jazzy fusion vibes

Illustration of effective fusion changes and the corresponding scalar choices with typical fusion phrasing.

Learn how to play most commonly used 7th chords (Dominant 7 chords) such as A7, E7, D7 and others.

We are going to explore the sound of the different phrygian modes.

Give any scale a major 3rd and a minor 7th, you'll get the dominant version of that scale. Today we'll talk about the Lydian Dominant scale.